Briefly, but yes, she was part of Magneto's brotherhood and, I believe, seen very briefly during the attack on Worthington Labs.
So it's like the Jubilee thing?
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Briefly, but yes, she was part of Magneto's brotherhood and, I believe, seen very briefly during the attack on Worthington Labs.
Cable was born in 616, actually. He was just raised in the future.
They pretty much told Archangel's story with Magneto in this film. Similar to how Tony Stark replaced Hank Pym as Ultron's creator.
He was dreadful in terms of design and writing.You thought he was horrible? Because he was pretty much written like his comic counterpart in the X-Factor days, which is often considered the best and definitive portrayal of the character.
Which is why I said different time (Cable) and Alt reality (Rachel).
Not even close.
He was dreadful in terms of design and writing.
Which is why I said different time (Cable) and Alt reality (Rachel).
Not even close.
He was dreadful in terms of design and writing.
Yeah you pick and choose, in order to forgive all the crippling character moves the series is making.I thought you meant alternate timeline.
What I'm saying is that I doesn't consider alternate incarnations of characters as one of the same. It's like how people view Cable and Nate Grey as totally different characters.
Yeah you pick and choose, in order to forgive all the crippling character moves the series is making.
Doesn't matter if there are better stories or characterizations elsewhere, only this version counts cause...?
Oh don't worry Emma Frost can be brought back just like Prof X at the end credits of X3. It's ok that they killed her off, just wait another 15 years and maybe someone will get her right.
Angel is Magento here, just like Stark is Pym so that makes up for all the dreadful choices with one of our original roster members Angel andthe consistent redundancy with Magneto. Never mind that other Angel stories hold far more potential. Those do not count because it's after Blood of Apocalypse.
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Like in the comics Angel gets his wings mutilated due to mutant hating humans. He goes into depression(he becomes a mean-spirited drunk) and gets new metal wings from Apocalypse in an agonizing way. He also seemly dies in a plane explosion, just like in the comic, which could be seen as a hint that we might see a return. After all, he is based on a character with a healing factor and his face wasn’t mutilated by the explosion. But honestly, I think it should have been Caliban to fill in this role since he joined Apocalypse(later on becoming the new death) in the story and he’s in the movie after all!
Oh, no. I am of the opinion that Angel shouldn't be in this movie. I even mention that in the link I posted.
15 years?
Caliban was just a dude behind a desk, and is already being changed in Wolverine less then a year later.
None of the X-Men horsemen should have been in this movie with this script cause they added next to nothing. Magneto was the only crucial one with the story they wanted to tell.
They were better off sticking with the ones at the start of the film, cause they fought stronger and because people won't expect them to be developed characters.
Scott, Storm and Jean should've been the only "new" X-men in this movie. Fulfill the promise that was X-men's "Cyclops, Storm and Jean were some of my first students" and DOFP's "Storm, Scott, Jean. Find us. Lead us."
You can even argue Storm could be the "new" student in the sequel to Apocalypse. As I've said many times, X-men fans sat thru an X-men First Class with filler non-"X-men" team (and friggin' Angel) and an X-men Days of Future Past with no past team to speak of, so we can wait.
No need to pile them on. As much as I enjoyed Nightcrawler's role, he wasn't necessary. Same thing for Jubilee, Psylocke, Angel etc.
They were better off sticking with the ones at the start of the film, cause they fought stronger and because people won't expect them to be developed characters.
There was a reason why they showed the recruitment scenes. And that is to contrast Apocalypse with Xavier. Like I said he was meant to be a foil.
That idea isn't the big issue.
There may have been a strong way to do this with another script. But here it's lacking. The X-Men and villain were poorly written and the reception of this film shows that. They ****ed up on just about all except for Scott and Jean. The end result is a dull mess of a story that continues to waste potential of many characters in the X-Men franchise.
You are totally welcome to your opinion and I'm glad you thought it was not written poorly. But this film didn't work for audiences, critics or fans like DOFP or First Class and it's not because people forgot details that somehow fix Kinbergs writing and some poorly constructed set pieces. This was the wrong direction to go to continue upon DOFP one way or the other.
Once again, Charles is begging his pain-filled friend Erik not to take his anger out on humans, but to channel it into helping mutants. The same arguments we’ve heard in six films now are rerun so egregiously that Erik actually has a flashback montage of Charles’ previous pep talks!
There's no spark, and everyone lumbers through the motions. The apocalypse, it turns out, is deadly dull.
Marks a shocking letdown from Singer's earlier contributions; what once soared now slogs.
Slow, then bloated, and explodes with boredom, and will probably lull you to sleep before you even get to the end. I don't know where it went wrong since the director is the one who made the X-Men franchise super popular, but we all have our bad days.
The movie seems dull and bloated.
Enough already. Singer throws so much mutant at us that nothing sticks. I was almost rooting for Trump to impose a quota.
Comic fans will be mystified. Movie fans will be confused. Everyone will leave disappointed.
For every lively moment, there's a reminder that the franchise is tiring. The genre's emphasis on potential mass death is obsessive and unimaginative.
It feels flat, disjointed, with too many moving parts.
Disappointingly [succumbs] to an exhausting case of been-there-done-that-itis.
Why is Bryan Singer even making this? Does he remember?
If all this sounds wildly entertaining, it's not.
Don't bother unless you have a deep emotional investment in the history of Professor X's hair loss and Jean Grey's skills set.
Much of what makes X-Men: Apocalypse legitimately interesting also makes it frustrating and lopsided.
Please tell me how they werent poorly written, basically all the Horsemen except for Magneto became mute shadows after being recruited, we had no insight as to why they did what they did. I mean Storm was never addressed by either Storm or Ororo. I will say out of the new recruits Scott,Jean and Nightcrawler got decent time and development. It was just to much going on for the film and not enough time to accomplish everything they may have wanted to.They weren't poorly written. The movie just requires you to remember details from the previous films for the idea to be effective. Things like Jean's struggle with her powers was already developed in The Last Stand, etc. I made a whole post about it.
https://creators.co/posts/4145770
The reception is pretty much a case of people forgetting details of the previous films due to the series running for so long.
Please tell me how they werent poorly written, basically all the Horsemen except for Magneto became mute shadows after being recruited, we had no insight as to why they did what they did.
Angel: You have nothing I want!
Storm: Yes he does...
This goes over a lot of people's heads on the first viewing. On a second viewing it becomes more apparent. I caught it on the first viewing but that is probably because I've read the story this was based on and thus was able to catch it.
Bingo.Please tell me how they werent poorly written, basically all the Horsemen except for Magneto became mute shadows after being recruited, we had no insight as to why they did what they did. I mean Storm was never addressed by either Storm or Ororo. I will say out of the new recruits Scott,Jean and Nightcrawler got decent time and development. It was just to much going on for the film and not enough time to accomplish everything they may have wanted to.
This last statement I just completely disagree with the poor reception of this film was not because people forgot details of the previous films. It was just poorly executed and rushed point blank. They introduce this characters but then do absolutely nothing with them which is a waste on top of that horrible wirework and unfinished VFX.
and the other hundreds of critics such as these...
Now I'm not saying there are only people who hated it, cause the film was heavily divisive. Many thought the series is now stale and boring though. The criticisms were in no way just about continuity details, but more so overall execution.
Old Charles said:Just because someone stumbles and loses their way, it doesn't mean they're lost forever. Sometimes we need a little help.
There was a reason why they showed the recruitment scenes. And that is to contrast Apocalypse with Xavier. Like I said he was meant to be a foil.
Not one thing you have said increases the poor dialogue, underdeveloped characters, set pieces, pacing, redundant Magneto focus and just a cgi mess of a third act with horrible stunts and wire work that many of us saw. These issues need to be fixed, not excused.Incoming long post...
I see a lot of those critics are calling the film bloated and disjointed. It does feel that way if you only look at it from the context of Apocalypse and not what was set-up in Days of Future Past. Apocalypse was just the second part of Xavier's story arc from that film. That Xavier needed to have hope in people and show them a better path, instead of trying to control them because that led into the dark future. Apocalypse just took that idea and ran with it. All the storylines in the film (Mystique, Magneto, Moria, Phoenix, and Apocalypse & Horsemen) all tie in that arc.
Not one thing you have said increases the poor dialogue, underdeveloped characters, set pieces, pacing, redundant Magneto focus and just a cgi mess of a third act with horrible stunts and wire work that many of us saw. These issues need to be fixed, not excused.
I'm glad you liked it but if X-Men has another film of this quality it's done and it's not difficult to see why. These characters deserve more, and audiences are walking away not caring. They need a far superior film now to start moving back up or a fail safe crossover.