Really? I thought it was a pretty widely accepted belief that Whedon's shows always get off to unimpressive starts and take a little time to find their footing. I've heard that claim all the time throughout the years, even before I started watching his shows. Once I finally did, I totally agreed with it. I mean, let's be real, when people want to show their friends an episode of Buffy that best represents the show, they'll never choose the pilot. And frankly, that would apply to all of his shows. The best pilot of a Joss Whedon show was Firefly's, and of course, the network never aired that one as a pilot. All of his other shows got off to pretty weak starts, imo, ESPECIALLY when compared to what the shows would eventually become. He even had to warn his fans to stick with Dollhouse for several episodes before it ever aired due to all the network interference he was getting at the beginning. While AoS is not completely a Joss Whedon show, it does follow that model, though I think it took a little longer to find its footing than his other stuff...with the possible exception of Angel (almost the entire 1st season of that one feels like filler compared to...everything that came after). But like his other stuff, AoS has found its footing and become a much better show than the pilot let on, and what's encouraging is that it now feels like it's just getting warmed up.All of Joss Whedon's previous shows were good straight out of the gate. AoS wasn't.
Really? I thought it was a pretty widely accepted belief that Whedon's shows always get off to unimpressive starts and take a little time to find their footing. I've heard that claim all the time throughout the years, even before I started watching his shows. Once I finally did, I totally agreed with it. I mean, let's be real, when people want to show their friends an episode of Buffy that best represents the show, they'll never choose the pilot. And frankly, that would apply to all of his shows. The best pilot of a Joss Whedon show was Firefly's, and of course, the network never aired that one as a pilot. All of his other shows got off to pretty weak starts, imo, ESPECIALLY when compared to what the shows would eventually become. He even had to warn his fans to stick with Dollhouse for several episodes before it ever aired due to all the network interference he was getting at the beginning. While AoS is not completely a Joss Whedon show, it does follow that model, though I think it took a little longer to find its footing than his other stuff...with the possible exception of Angel (almost the entire 1st season of that one feels like filler compared to...everything that came after). But like his other stuff, AoS has found its footing and become a much better show than the pilot let on, and what's encouraging is that it now feels like it's just getting warmed up.
It's basically because of Joss Whedon's shows that I've now learned to never judge a show by its pilot. I always give 'em time to find themselves. That's why I've stuck with Gotham (and tbh, it's still why I'm sticking with Gotham, because it's still not "there" yet, imo) and many other shows that I've come to love.
Hmm. You raise some good points, so maybe I'm alone in feeling like all of Joss' pilot episodes prior to AoS were excellent.
This was the most solid episode. It seemed to find the balance of sharing the screen time with the ensemble cast. Bullock and Gordon were great. Both adding subtle nuanced comedy to some of their scenes that I really liked. Penguin consistently brilliant. But the most encouraging aspect was the portrayal of Bruce Wayne. He's more like the troubled genius we know from the comics than any other live action interpretation we've seen. Alfred is a lot less irritating too so I hope this show continues to improve in the aspects that it already has.
I liked him as Batista in Dexter. But impressed with his acting? Not really. He's basically Batista with a nice suit in this show. But i can't say that i mind his Maroni.Yeah, but I actually enjoy Jada Pinkett-Smith as Fish. I do not buy David Zayas as a mob boss for one second. He doesn't even try to change his accent for one, and secondly I've never been terribly impressed with him as an actor. Not on Dexter, certainly not on this show. The moments where he had to play "threatening" just came off as goofy to me, because he's a goofy actor playing a role he's miscast as. They could've done much, much better.
I do like Falcone though.
Yes I diddid anyone else catch that brief shot of the tv Bruce was watching?
it seemed he was watching zorro or something, it was quick but, I definitely saw a man in a black cape
The other dude was Zorro imo
Nice capture, can't tell if that's legit Zorro?, they'd probably have to secure rights.
Nice capture, can't tell if that's legit Zorro?, they'd probably have to secure rights.
Like the Balloonman Lamont kills Lt. Cranston, it's another definite nod/homage.
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Sorry, excuse my ignorance. Can you explain?
Lamont Cranston is the alter ego of the pulp character/Batman-precursor and influence The Shadow. And the look the Balloonman takes on with the wide-brimmed hat, dark coat and bandanna...that's the basic look for The Shadow.
Just getting caught up on this episode and it was a thoroughly enjoyable 45 minutes. This show really has been getting better and better every week.
Some observations:
- Bruce finally got out of that room, even if it was only for a short period of time. It interesting to see him taking charge of the company and ruffling some feathers.
- I'm really warming up to Fish Mooney. JPS has toned down the vampiness and found a consistent groove with the character. She has been less in your face in these past two episodes and it's fun to see her scheming her way through the Gotham underworld.
- As always, it's fun in this post-Nolan world to see a show that isn't afraid to embrace it's cartoony comic book roots. The ''Viper'' drug was goofy in execution, but still quite entertaining and disgusting.
- There's the Alfred I know and love. I'm all for change but I don't ever want to see Alfred being a dick to Bruce. Like Fish, they've toned him down quite a bit.
- I'm not sure why Penguin had to go and reveal himself like that to Maroni. Couldn't he have gotten on his good side just by helping him break into the casino? I don't get why he would jepordize his plans in that manner.
- Beautiful ending. I already feel a little sorry for Falcone.