ThePhantasm
2 sexy 4 a stormtrooper
- Joined
- Jun 18, 2011
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Love your new avvy, Joker.
TLH, DV, Haunted Knight and When In Rome will always be near the top of my Batman comics tree. They're good stories, but the art is also lovely - even though Joker's teeth can be drawn ridiculously oversized.Tim Sale is the true hero of TLH.
I love Sale's work, especially the Poison Ivy with the clover hair that is just running off the panels. The big grin Joker honestly never bothered me. It's art, he's having fun with and just exaggerating it. Remember comic books themselves aren't meant to be realistic, nonetheless I do understand the criticism.
The Godfather/Falcone works because well everyone can make that distinction right away since the Corleones are so iconic. Aha, these are gangsters, mafia, with alot of pull, power & money, they're italian. No exposition or anything is needed. I guess it doesn't bother me much because I didn't grow up on the Godfather, though I get it, I do. Plus, same time I'm not much for Godfather I prefer Goodfellas
The Godfather/Falcone works because well everyone can make that distinction right away since the Corleones are so iconic. Aha, these are gangsters, mafia, with alot of pull, power & money, they're italian.
Dark Victory is one of the best Robin stories I've ever read. I love the visual dichotomy of Sale's Batman and Robin together.
TDK was on MTV the other night. Caught some of the end, good times. It's amazing how much Oldman really drives a lot of that movie.
Also, I showed my girlfriend the BvS and Suicide Squad trailers finally (long overdue). I'm always curious to hear her un-fanboy-biased take on things. She said she thinks Suicide Squad looks better and more interesting than BvS. I told her I'd have to agree. Especially after re-watching both trailers.
Dude, Loeb lifts dialogue and visuals straight from the movies. It's way more than simply homages. I cringe as I read it now.
Brother Jack, a while ago I noticed you had a reference to Davos Seaworth in your sig. What're your thoughts on Stannis's character development over the last season and his motive for burning his daughter...considering who Stannis was going to war against, could you see the sacrifice as justified. Not good, mind, but justified?
SPOILER TAGS. Thank God im caught up, i would have slapped you!Brother Jack, a while ago I noticed you had a reference to Davos Seaworth in your sig. What're your thoughts on Stannis's character development over the last season and his motive for burning his daughter...considering who Stannis was going to war against, could you see the sacrifice as justified. Not good, mind, but justified?
I don’t think they are making [superhero movies] an elevated art form. I think it’s still Batman running around in a stupid cape. I just don’t think it’s elevated. Christopher Nolan’s best movie is Memento, and that is an interesting movie. I don’t think his Batman movies are half as interesting though they’re 20 million times the expense. What he is doing is some very interesting technical stuff, which, you know, he’s shooting IMAX and in 3-D. That’s really tricky and difficult to do. I read about it in “American Cinematography Magazine,” and technically, that’s all very interesting. The movie, to me, they’re mostly boring.
Anybody who works in the studio system has got 20 studio people sitting on his head at every moment, and they have no respect, and there’s no…it doesn’t matter how successful you’ve been. And obviously Nolan has been very successful. He’s got a lot of power, relatively speaking. But he doesn’t really have power. And the problem is you gotta… as I say, you can do some interesting, maybe unexpected things. And certainly, I’ve made the horror films and people say, “Can you make a horror film also an art film?” And I would say, “Yeah, I think you can.” But a superhero movie, by definition, you know, it’s comic book. It’s for kids. It’s adolescent in its core. That has always been its appeal, and I think people who are saying, you know, “Dark Knight Rises” is, you know, supreme cinema art,” I don’t think they know what the f**k they’re talking about.
"No, I haven't seen ['The Dark Knight Rises']. See, this is how it all gets distorted. The question was asked, to me. And, of course, when they quote me, they never quote themselves or the question that provoked the response," Cronenberg explained. "I was asked, then the journalist woman said, 'By the way, superhero comic book movies have shown to rise to the highest level of cinematic art – would you be interested in doing one?' And I said, 'Wait, who said they have risen to the highest level of cinematic art?' That's when I started my little rant. I was really responding to that. She proposed that about the new Batman movies. I had seen the one before this ['The Dark Knight'], not the new one, and I think at that time only journalists had seen it. So I wasn't talking specifically about that movie and I wasn't criticizing it directly."
It should be noted that Cronenberg's comments came a few weeks after 'Rises' hit theaters, but that's also besides the point. However, what he does want to make clear is that his feelings were more directed at the genre as a whole, and not Nolan specifically. "What I was saying was that a comic book movie is really a comic book movie. Comic books were -- especially those comic books which I was raised on (I loved Captain Marvel) -- created for adolescents and they have a core that is adolescent," he elaborated. "To me, that limits the discourse of your movie if you're basing it accurately on that, and you cannot rise to the highest level of cinematic art. That's my take on it. I went on to say that, of course, technically they can be incredibly interesting, since there are very clever people making the movie and of course have a lot of money they are throwing at it. But creatively, artistically, they are incredibly limited. It got bent out of shape that I was dissing Christopher Nolan, which just wasn't the case."
What he is doing is some very interesting technical stuff, which, you know, he’s shooting IMAX and in 3-D.