BatmanBeyond
Shadow On The Run
- Joined
- Jan 26, 2011
- Messages
- 2,309
- Reaction score
- 131
- Points
- 73
Bale's Batvoice had some amazingly perfect moments in Begins, probably the best voice snippets of the trilogy, but it was still occasionally uneven and inconsistent from scene to scene.
I think Bale's absolute best presentation of his Batvoice in Begins came during the "rattle the cages" scene with Rachel (in which the Batsuit also looked amazing). He speaks in the voice with such ease during that scene, as he is calm, cool, and collected. It's also not as or the top as it was other times during the trilogy.
After that, I'd list the "Swear to me" and "Backup" scenea, along with his "I'm Batman" and his whisper of "Here" as Bale's best use of his Batvoice in BB.
Otherwise, there are a few moments in which the voice sounds a little wonky and inconsistent with other scenes. Same goes for the other two films. A bunch of great voice moments, and several less-than-stellar moments peppered throughout.
Bolded part is probably the main reason the voice has gotten so much stick over the years. But yes, it's at its best in BB and I think part of the reason is that you can still hear it's Bale, whereas with the filter applied to it in TDK and TDKR it's too over the top growly a lot of the time and doesn't even sound like him anymore. There's this nice little moment in BB as well, the one with Rachel in the cave, where it's just Bale whispering basically, but it makes sense since Rachel is one of the only people around which he feels comfortable being his 'real' self. On the flipside, there's also the scene where he calls Alfred for help after getting pwned by Scarecrow the first time, where he's supposedly saying "Alfred, help me!", but all I can hear is "Alfred, Alfred!", I think it might just be the first instance of the dreaded filter being applied in the trilogy.
The Joker interrogation scene seems to loose the filter though and it kinda sounds like the 'Rattle the cages' iteration again, which was an inspired choice because it was key for it not to go into quasi-ridiculous territory again in such a pivotal scene. Now that I think of it, I don't really mind the over the top anger in the 'Where's the trigger scene?!' either, it's the dialogue which lets it down - the 'you'd neverrrr give it to an ordanary ****izhen' line has always sounded awkward to me.
I mention this because I couldn't really get over the filtered iteration in TDK, upon rewatching the latter and BB recently, when it's never really bothered me before. I don't think it's as bad as it's been made out to be either (I've never had a problem understanding the lines themselves), but it just seems like such a peculiar and awkward choice when they had a pretty flawless approach for it in BB.
I also found it interesting that upon the aforementioned rewatch, I felt warmest towards BB, while TDK left me kind of cold this time. I've still got to watch TDKR and, granted, I've watched the first two over twenty times each by now, but usually it would be that I would watch BB and appreciate it for what it is, but I couldn't wait to get to the 'meaty' part that was TDK. It's not that I didn't appreciate it before, but it really does feel like BB is the underrated one of the trilogy with the manner in which it weaves the origin story and gets you invested in the character's arch.
Oh, and of course, I still love this scene to bits.
