titansupes
Avenger
- Joined
- Dec 11, 2010
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Just wanted to pipe in and thank Anno Domini and BatLobsterRises for their eloquence. Personally, I grew weary of defending TDKR long ago.
I do consider myself to be an individual of some intelligence, perceptive and discerning enough, with a degree of emotional maturity. I can't, intellectually, deny a physical response. I've seen films that have given me chills. I've seen films that have thrilled me so that I've had the exhaustive rush of actual physical experience. And I've seen films that made my eyes well up and chest heave with emotion. I'd never seen a film that made me do all three. Until I saw TDKR.
Is it beyond criticism?
Obviously not.
I like to compare it to another of my favorite films, The Godfather. I smile, and wince a bit, at Talia's death scene, as I do when Sonny's devastating hook during his beatdown of Carlo misses by a foot. I consider the absurd, baroque machinations of the assassination of Sonny, with a half dozen likely points of failure, and compare it to every other actual mob hit in mid-Twentieth Century America, where the target was simply gunned down in or just outside a well-frequented haunt, and compare it to the likelyhood of Gotham's entire police force being sent into the sewers. Do these fatal flaws diminish my enjoyment of the films? Not one bit.
If Citizen Kane had to stand up to the scrutiny of The Dark Knight Rises, it would be dismissed after the first scene. Charles Foster Kane whispers his last word, "Rosebud", in an empty room. A nurse enters, but only after hearing the crash of a snowglobe, which has fallen from the dead man's hand to the floor.
Rest of the movie?
Plot hole.
Nailed it.