Jekecy
Superhero
- Joined
- Aug 23, 2013
- Messages
- 8,367
- Reaction score
- 2,015
- Points
- 103
It's about blurring the line of transition, so you forget you're watching a performance. We do this all the time for some of our favorite actors, do we not? The actor is so good within the moment, you're just rolling with the scene as it goes on? Completely disregarding this is a fictional role, in a fictional setting, in a fictional story? Surely you're familiar with it.I dunno, it's not like we couldn't tell Keaton, Conroy, or Bale were all actively altering their voices. I still enjoy all of their performances quite a bit. I just don't get how you can not think about the voice being an alteration when the character literally changes his voice whenever he puts the cowl on.
If we're to take Bale, a good example is his dual roles in American Psycho. No matter which persona he put on, you were attached to it within seconds. With his Batman, for me, I could never vibe with such an overt performance. It never felt natural and as such I didn't have the chance to just take the scene for what it was. Admittedly that's likely the root for why I'm so hard on him in that particular role. I love him in everything else.
That's the balance Ben will have to strike to succeed. There were hints of it with his part in Gone Girl, but he'll have to dial it up a notch with Batman/Bruce. Ideally I'd have it so we're not truly certain which persona is his true one, because he's so adept at both. It would be fitting for someone who's been doing this awhile.